So,
our routine for the week was guided meditation from 7 - 8 AM
(voluntary, of course and I'll write more about that later),
breakfast from 8 – 9 AM, morning meeting from 9 AM til whatever the
schedule was for that day, and then independent work either at the
studio, the center, or on a field trip.
The
first full day of the residency, Catharine opened with basic
information and talked about why we were there and what our
responsibilities to ourselves and to each other were which were
basically to squeeze as much out of everyone that we could by being
pro-active and asking questions (something that she reiterated for
the first several days), that the work that we did would be
self-directed, and that the goal was to open some new possibilities towards our work. Next, we introduced ourselves, reading our artist
statements that we had brought with us, and then Catharine started us
off with a reading to mull over and an exercise involving a block of
clay.
We
weren't to make anything out of it necessarily, but just squoosh it
around and take note of whatever thoughts or feelings arose. We
had an hour. I went out and sat on the little footbridge over
the creek and just sat there at first, not really thrilled with the
exercise and so I just watched the water flow through the creek and
eventually tried to create in the clay what I was seeing...the rocks
and pebbles, the algae, the flow and ripple of the water, the banks
and overhanging foliage.
When
the clay started to dry out I did a little sketch on my iPad. No
great words or feelings welled up and so I just thought about how a
river or creek seems a simple and single thing until you look past
the surface to what is happening underneath. As it happened,
this turned out to be a good analogy for much of the work I did in
the studio.
After
the exercise, we all reassembled around the table and shared our
experience. Some totally got into it. Others, like me,
struggled with it. It was interesting, though, to see how each
individual handled the exercise. Most of us just dumped the clay
back into the bucket but a few of us used it to illustrate their
thought processes.
Later
in the afternoon we went on our first field trip to Machpelah
Cemetery where we wandered around the grounds taking pictures or
making sketches or doing rubbings or nothing at all.
I found little inspiration there though I
always enjoy old cemeteries and mostly spent my time trying to figure
out my new camera.
Upon
our return, Catharine did her thematic lecture/presentation on the
'Familiar' which I think went above some heads, mine included at
times. I've never been one to be all that interested in art history
and the intentions of artists and although I enjoyed seeing the
pictures of the artists' work that she included, much of what they
had to say about their work struck me as things people would say who
went through degree programs at art universities. Very few of us
there at the residency had done so.
I
had woken up that morning dreaming. It was not my typical
anxiety dream and I won't bore you with the details but it was
definitely about the week ahead of me with mostly total strangers
and, as we talked later in the group about the 'imposter syndrome'
that even accomplished artists suffer from, I realized there might
have been some of that element in the dream as well. I had been
greeted upon my arrival with at least two of the participants
praising my work and how glad they were to meet me and how excited
they were that I was going to be a participant.
By
the end of the day that first day, I had had three nights in a row of
poor sleep, I was transitioning from my quiet and solitary life in
the country to a loud and boisterous group in a building where the
acoustics weren't that great (lots of echo) and was trying to ward
off a headache so when dinner plans were being made, I declined to
accompany them, preferring to stay at the Center and have leftovers
from lunch for my dinner with an eye to going to bed early.
As
it turned out a couple others also stayed behind as well and so it
became my first opportunity to get to know a few of the participants.
And I didn't get to bed early at all.
more
next post
Retreats like that are transformational even if the content and structure don't make a lot of sense.
ReplyDeleteOf course you would connect with flowing water. You and the spirit of the river are very close.
Love the ELLEN headstone! Sweet.
'imposter syndrome'. interesting. i'd certainly feel like a fish out of water.
ReplyDeleteI am enjoying these, Ellen. You are taking what you learned/experienced and sharing with us. I am grateful and am thinking about all of it.
ReplyDeleteYes, all of the above comments! I am so glad that you went and that you are willing to tell about your experience. I am afraid it would have been difficult for me to dig deeply enough to make the exercise of the clay actually mean anything, but it's a fun way to play.
ReplyDeleteSounds like a great few days already. You have used each experience quite effectively I think and I also think you will have learned and added to your creativity by the end of the time.
ReplyDeleteI totally have impostor syndrome - I can never figure out what people see in me (and boy Reya would have my hide if she sees this). But really - I don't get it.
ReplyDeleteYou on the other hand are fascinating & talented. I always want to know what you think about something. Which is why I read your blog I guess :)
It sounds like you are definitely on a path of new experiences here! It's cool that the others took the time to become familiar with your work (or were familiar with it already) and appreciated your presence. I'm enjoying hearing about all of this!
ReplyDelete