Well,
I may have just turned down the chance of a lifetime. We were
contacted last week by a research director for the show How It's Made
on the Discovery Channel about taping for a five minute
segment on the show, that they would be in Houston the first week of
October, and were interested in our glass work, initially the etched
glass but I told him I'd rather it be the pate de verre. Did it have
a lot of steps, he wanted to know. They like a lot of steps and we
talked about the process and about how it would be filmed and that
obviously we would have to have stuff prepared since it was a multi
day process and they would only be filming one day, kind of like
those cooking shows. He would send me another email with more
details and requirements.
I
started thinking about what I would, could do. It would have to be a
small sculptural piece or bas-relief and to be thorough I would have
to do the original model, preferably in different steps, say
3...beginning, halfway, finished... and then make a reproduction mold
for all the waxes I'll need for the rest of the steps...one for
making the mold, one in the mold for de-waxing, one with the wax
melted out, one with the frit partially laid in, one with all the
frit in to put in the kiln, one already fired in the mold to break
apart, one already out of the mold and washed to demonstrate the cold
work, and one completely finished. That makes 3 models (2 partial, 1
complete), 1 rubber mold, 8 waxes, and 8 plaster molds. That is a
huge time investment for a five minute segment that will reap us
nothing except 8 of the same thing if we completed them all,
time when I could be working on new stuff. Not to mention having to
clean and re-organize the shop.
The
next email was cause for some hilarity around here...
1.
exact
product(s) to be featured on the show: pate
de verre
exact
product, OK
2.
full
coordinates (incl. cell and email) of the on-site contact person
(preferably a production manager) who would chaperone our camera crew
when they arrive on site
on-site
production manager...yeah, ha ha
3.
coordinates
of a second on-site resource person, in case first one unavailable
back
up? would that be you or me
4.
complete
factory address, including zip code. If there is a second
manufacturing facility, please provide that address as well and
indicate the distance between the two
by
now we're laughing out loud...factory
5.
start
and finish times of production shift(s)
production
shifts, sniff, hahaha
The
guy clearly has no idea who he was talking to.
So
I thanked him kindly for his interest and politely declined to
participate.
Clearly they have NO IDEA what goes into your art, they think it is a little craft project you can try at home? WOW. Glad you turned it down!
ReplyDeleteHa! That was a funny email. And I don't blame you for turning it down - especially because I don't see how they could cover everything in 5 minutes anyway.
ReplyDeleteOh, Ellen. I think maybe you should do it. You WOULD get a lot of exposure. I suppose the extra work wouldn't really be worth it though. What you do is fascinating. And think of the blog fodder!
ReplyDelete15 years ago I would have jumped on it like a duck on a june bug, 10 years even. but I know from experience that the 'exposure' would not have generated any income. back when we had employees and were working all the time, we were filmed for a similar segment on etched glass on an HGTV show, similar to How It's Made. all it gets you is a bunch of extra work to get ready and a line on your CV. It would have taken us a month at least of dedicated work to prepare for this 5 minute segment and that doesn't count cleaning up and arranging the shop when I could be making new different stuff. just not enough bang for our buck.
DeleteLike Ms. Moon, I wonder if you should reconsider. The exposure could be good for business.
ReplyDeleteI did the same thing once. Was wanted for a magazine spread and like you said so much cleanup, demo and removal,etc. for so little. I didn't think it would help my career one bit and way to much trouble. My stuff was one of a kind and couldn't be mass produced. The point where she started calling our farm a ranch and wanted to portray it that way, I said no thank you. She wanted to find another Pioneer Woman and I ain't one. I understand what you decided.
ReplyDeleteI understand exactly why you turned it down. I would have, too. Organic growth can be slow, but when you get into the cost/benefit analysis for a project like this, it becomes pretty clear, pretty fast, that it just isn't worth it. Exposure ain't all it's cracked up to be, that's for sure.
ReplyDeleteGood for you! To quote a saying we repeat around here, "not nearly enough juice for the squeeze!" Time is our most precious commodity. Would have been foolish to waste so much for so little. We here all appreciate you and your craft. Never mind those people!
ReplyDeleteyou could be in the movies, you could be a star
ReplyDeleteHe clearly didn't realize that this wasn't a mass-produced article. You probably made a good decision, for your own sanity!
ReplyDeleteI think he did, the email was just a generic form. we had talked about the process and my brother, who watches the show says they often have segments on one or two persons arts. I probably didn't convey how time consuming each step is though.
DeleteSince you already had the experience and it did little or nothing for your business, turning down the exposure is understandable.
ReplyDelete