Friday, January 3, 2025

many thanks and imminent winter


First, thanks to all for all the feedback on my painting as I progressed. Your honest critiques, suggestions, and specific remedies helped me make it better. I might go back at some point and work on the trunks a little more or add more sprigs popping up from the green or see if I can make the yellow a little brighter at the top but right now I’m putting it aside and filing those suggestions away for future paintings.


I’ve already written about how I decided I wasn’t a painter way back in my 20s (you can read that here if you missed it and want ) so five decades later I’m trying my hand at it again and of course I would pick the most difficult medium, watercolor. But that’s me. Screw baby steps and go straight to the thing that takes the most skill. 


My first introduction to watercolor was via two six session classes taught by a woman here in this small town who taught art in school for many years and is an accomplished watercolorist. The first was in January of 2020, the second in March of 2022 and I did nothing in between the two sessions. Beyond the class exercises/paintings I have only done four paintings on my own. The first was a copy of another artist’s watercolor of birds and pink flowers as an exercise in technique though I changed the birds to different ones. I did that one on my own at home during the time of the second class. The second was in June of 2022 of the yellow trumpet flowers.  Most of ’22 was spent making my last major piece of pate de vere, the Coral Box and then I went into a creative funk. I didn’t do glass, I didn’t draw, I didn’t paint until August of last year when I got out the watercolors a friend had sent me that she no longer used. The result was my third painting, the landscape of the dead tree in the lake. My fourth is the just finished aspen trees. Also did three drawings, the tallow leaves, the buckeye butterfly, and the honeybee. My intent is to have either a drawing or a painting going at least every month for 2025. I’ve been collecting photographs for inspiration but I think the next painting is going to be one I first did in glass and then a drawing, a close up of a female zucchini squash flower. It’s small, only 4” x 4”.


I check the forecast every day and currently predicted lows are two nights at 29˚, two nights at 31˚ during a week with lows in the low 30s. Sunday it’s going to plunge over 40˚ from 75˚ to 29˚. I started bringing plants in yesterday. I’ve got all but three in of the plants that come in the house, one of which is the big stag horn (that empty space on the table is for the stag horn). 


I’ll bring those in today and tomorrow I’ll bring in the big ones with my grandson’s help, the plumerias, pink angel trumpet, and the night blooming cereus, that go in the garage and cover the ponytail. I went ahead and cut all last years growth off the two bridal bouquet plumerias today for two reasons; one, they will be easier to move and protect and two, I cut them back in the spring anyway because they just get too damn tall over the summer.


Today I went around and took the last pictures of blooming things I'll get because Monday everything will be frozen. In order: pink trumpet flower, all the roses of which these are just some, lantana, shrimp plant, a little ground cover, and the cosmos. Most everything is on its last legs anyway.





20 comments:

  1. I am glad to see that your creative fire is lit up and we will all look forward to seeing what you create in 2025.

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  2. Well, I think that is a very good idea for 2025. And I would like to suggest that you paint a picture from one of your flower photos that you posted today. Is that too twee?
    I just covered up my plants outside again. It looks like I've already lost some growth on some of them but am every-hopeful that with some major trimming, they will come back. Most of them are too big anyway.

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    1. I may do some flowers but probably not from any of those photos. Yep, all covered or brought in here.

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  3. Codex: As I've said before you're naturally talented and I could see where you needed instructions and were willing to accept them so I wasn't wasting my time. I could also recognize that you had formal training. In the end you did the work and created it.

    Painting and drawing have a very limited demand unfortunately, but it's so important for one's sanity. I chose against making it my full time career but as a science student I ended up getting commissions and instructing so one never knows. I still take courses whenever I can to learn new tricks or play with other mediums.

    Years ago I took a landscape watercolor course. The instructor wasn't very good and I was stuck. He had a tendency to be overly encouraging. I asked him how to improve, he replied:"it's great. It's your style". No. It wasn't and I wasn't aiming for artistic. I learned nothing. I've never forgotten that. I had paid to learn and instead I got a motivational cheerleader.

    Can't wait to see the YELLOW flower but keep in mind that your brain is trained in three dimensional glass sculpture and has to learn to see depth from a two dimensional photograph.

    You're most welcome. Like the result. Hope I'll do as much in my seventies (?) as you, with the exception of bringing in shrubs and flowers several times a year. No talent there.

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    1. I do appreciate your guidance and I hope you will continue to offer suggestions and techniques as I learn this medium.

      I did make a living from my art but not painting or drawing or even the cast glass though I have sold more of that than not, it's a difficult and time consuming technique which few people understood or the prices attached. We made our living doing commission carved and etched glass for architectural installations; doors, windows, window walls. I have work all over the US; commercial, corporate, and residential. Retired from that in 2017 when the house flooded and the work became too physically demanding.

      My advice as you age is never stop being active.

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  4. This conversation reminds me of when my sister lived with me as a teenager. She wanted to paint so much; she bought paints and canvass at the art store and was making herself crazy. One time I went to the community college to register a friend for her classes (she was out of town) and I realized I could go back to the end of the line, pretend to be my sister, and register for art classes. When she learned about perspective and shading and whatever else you do, she just got better and better.

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    1. It's important to take classes. I never did take a painting class which is probably why I abandoned it. Now, out here in the boonies I'd have to go into Houston to take a class and that's not likely to happen. Not at this point in my life.

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  5. Well, I thought the same thing as Mary - that you could paint one of your lovely blooms that you showed us today. It's wonderful to see your art and your process, Ellen.

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    1. Thanks, I like sharing it. And I;ll probably do a flower along the way.

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  6. Is that little white flower the ground cover you mentioned? It doesn't look familiar to me, but its very pretty. I have to finally get my sweet rear in gear and do the weather prep today, as well as getting a few more hours in down at the boats. Varnish sets nicely at 60F, and will do ok at 50F, but below that things get iffy at best.

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    1. The little white flower is the groundcover. Tahitian bridal veil; gibasis geniculata, also tradescantia geniculata. I plucked a couple of sprigs off the growth in front of a neighbor's house when I lived in Houston, did the same when I moved out here. It's aggressive and spreads. Dies back when it freezes but comes back readily.

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  7. I feel for you having to move those big plants. Nice to get a last look at some of your flowers before they get a winter "reset"!

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    1. I'm fortunate to have my grandson back in Texas and willing to help. Otherwise, this year they would have to fend for themselves. Except the staghorn. I'd have found some way to bring it in.

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  8. Your winter indoor garden is big and lush, and I'm glad you're saving all these plants. It was great to see last blooms...which you might like to paint, as someone mentioned before. Being a good artist also means being able to critique your own work, as well as others. What seems to help the picture, what is not looking right somehow (and maybe knowing whether it's balance, tone, contrast or color) is all part of learning to be an artist. The more people share together (I've finally learned) the better we become at aiming wherever we are going. You should see some of my figurative sculptures! I finally had someone give me a good critique. So I switched to making dragons (not able to make any figures that looked proportional somehow!)

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    1. I've never had a problem critiquing my own work. As my friend Kathy would often tell me; Ellen, you are the only person who will see that. Not being able to easily take a class, I have appreciated all the help from my readers.

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  9. I think you're doing an amazing job with your painting. I "painted" a barn quilt square at church last month and it was not good (granted I am missing: training, talent, perspective, patience).

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  10. You’re a fine watercolorist, Ellen, and I bet you already were in your 20s too. I’m glad you’ve returned to it now. You have a delicate hand.

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    1. Thank you Rosemarie. I was a terrible painter in my 20s when I was working with oils and acrylics. Except for one or two which I kept.

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I opened my big mouth, now it's your turn.