Sort of an addendum to my last post. It wasn’t easy this path we chose. At first there was no market because architectural etched glass wasn’t a thing. We had to create the market by cold calling interior designers and architects and doing presentations to introduce them to the possibilities of this medium. We often worked seven days a week. There were plenty of times when we would go several months with no work. We never had health insurance and are fortunate that we and our kids were basically healthy. We lived hand to mouth. Any money we managed to save was always spent. It was very stressful either because we had no work or too much work at one time but even so we were making one of a kind original art that had/has the possibility of enduring long after we’re gone and the satisfaction of seeing a commission go from thumbnail sketch to finished installed work never got old so at no time did we ever really consider quitting and getting jobs as some self employed artists eventually did. But then there came a time when we did. The stress from doing two enormous corporate jobs back to back was too much, our relationship was in the toilet and we were headed for separation if not divorce. We had enough money saved from those two jobs to last about a year and we just couldn’t do it anymore. Of our two employees, one had already quit and we let the other go. We focused on getting our shit together for the next year and a half until our financial situation became dire and then we started over, just the two of us like in the beginning because really, we had become basically unemployable in our own minds by that time. This time we kept it small focusing mainly on high end residential and some corporate work. During this time we also developed our pate de verre technique, a lost wax glass casting process but that’s another post. We retired from the etched glass at the end of 2017 when the house flooded from Hurricane Harvey. There were other reasons; our contacts were aging out or dying, architectural decorative glass had really evolved offering other alternatives, it was physically demanding on our own aging bodies, and we were just plain tired of the whole thing; but that was the impetus. It still amazes me how much we produced out of our little two car garage studio.
If you are interested in seeing more of the work we did, here are links to two pages on our website (which btw is seriously outdated and contains broken and missing links that I was in the middle of renovating when I got the new computer two years ago and the program I used to upload images and text no longer worked and I’ve lost interest in buying the updated software because we’re not doing glass at all anymore). This one links to images and information about those commissions. The list of residential work is only a tiny fraction of what we did. This one is just a portfolio of images that shows a lot more of the residential work. Some jobs I don’t have pictures of, most were really hard to photograph because my only chance was right after installation and either too much or not enough light.
Ok, enough of that.
It’s been so hot. July hot. Highs in the mid 90s with high humidity which pushes the feels like about 10 degrees hotter though we're supposed to get a little relief later in the week. Still stuff has to be done. I set the sprinkler up Sunday, hand watered Saturday. I cut the wisteria back one day and hauled it to the burn pile another day, cut back the low hanging branches of a tree and wild grape vine in back of the shop. That stuff is still lying where it fell. Another big branch fell from the pecan tree that was so heavily damaged last summer in the hurricane which took me two days to cut and pile up and then today I saw another big branch had fallen out of the farther most pecan tree.
But it’s not all sweaty labor. I've been working on the dwarf pomegranate painting (4" x 4"). It would help if I could decide on where the light source is and stop changing my mind.
I got to spend time with Paisleigh and Harrison on Sunday and put up another 18 ears of corn. That should be enough for the year. And stuff is blooming. The double orange daylilies are in full bloom, the crinum lilies seem to have popped up overnight, and one of the yellow bells has a cluster of flowers.
And the plumerias are blooming.
Wow, when you type it all out like that you must wonder sometimes how you made it through it all! Sounds incredibly difficult but you sure did amazing art!
ReplyDeleteYes to what Ellen D said!- and i do love the pomegranate.. Simplicity. Japanese or Scandinavian in design, both of which are most appealing.
ReplyDeleteCodex:
ReplyDeleteLight source is in the middle. There is a light little patch if you go from the yellow splatter on the masking tape diagonally down to the right. You'll also have to darken (blue/magenta mix on both sides so it's round)
Thank you for posting your work. I love your style. Also, your glass etching is magnificent. I've never seen more beautiful work. I especially like the geometric and Japanese inspired pieces.
ReplyDeleteThe blooms in your garden are fantastic.
Thank you Susan.
DeleteEllen, it just blows my mind all the incredible art you have done! Just WOW! Want to ask you. Some time y'all did an entry? for a animal establishment of some kind? You sort of took us along with you as you were doing it. I mean, from your sketches to the actual work, to the harrowing installation. I was flabbergasted at how wonderful it turned out. Dogs, children, I think? I have gone back several times in your blog archives looking for that. No success. Couldn't pin down a time frame to look. I wonder if you know what I am talking about? Don't want to be a pain. Was hoping you would include it here........... Anyway. Thanks. You personify the word "artist", for sure...
ReplyDeleteYou must be thinking of the three panels we did for A&M's then new small animal teaching clinic. That was the last commission we did. I hated it. They were so specific about things they wanted instead of letting me do some fun designs that I finally told them to just take a picture of what they wanted and I would do that. The installation was a nightmare, one small bump of the glass against all that marble and it would have been a pile of rubble and it was so high up.
DeleteThe thing is, you made it through it all and you are here today, still resilient and winning each day as it comes along.
ReplyDeleteI have never been driven to work as hard as you have. That body of work is IMPRESSIVE! Also, the doubles you sent us finally sent up some scapes. Woot!
ReplyDeleteI think I'd have a nervous breakdown constantly looking for my next source of income. I'm much more of a steady-employment kind of guy, even if it is sometimes soul-killing! I think your pomegranate is looking great and I love seeing your tropical flowers.
ReplyDeleteWhat an amazing thing it must be to go back and look at what you have created in your lifetime. Very few of us can know what that experience is like. Your story is truly one of perseverance and determination. And unbelievable talent.
ReplyDeleteHow you did all of this and raised a family at the same time is truly awe inspiring.
Blood, sweat, tears, and beauty. You're really something, lady.
It does amaze me in retrospect.
DeleteI'm certainly no artist, even though I use a brush, but my heavens: so much of what you said about your career and its challenges were familiar, as I'm sure they would be for any self-employed person. I'm at the stage now where I'm outliving some of my customers, and as others age they sell their boats, so keeping the work flowing isn't easy. I do have a job for the next month that's under a shed, which is a huge benefit in this heat. It still can be hot in the shed if the breeze isn't blowing, but at least I'm out of the sun. I always love your flowers, but those plumeria are utterly gorgeous. They're one of my favorite flowers.
ReplyDeleteReally that's why we retired, our client list shrinking and not wanting to go out and do cold calls again to designers and architects at our age besides it being harder and harder to move the heavy glass panels around and the sandblasting was getting really hard on Marc. The house flooding after Harvey and having to focus on that was just a handy excuse.
DeleteThanks fot the links, your work is wonderful to look at. I love that palm tree bathroom and the interior doors with the grapes (?). Also, that memorial wall with the trees! I could go on. What an achievement and with such dedication. It would be twice as hard here with all the insurance and tax stipulations. Hell for self employed artists.
ReplyDeleteYour plumeria is gorgeous!
Thanks. I think you are referring to the banana trees with ginger and elephant ears. Those people were so rich. Everything in that house they were building was exquisite. The interior doors was wisteria, not grapes. We flew under the radar, no permits, no insurance. We worked in an old working class inner city neighborhood most people didn't even want to drive through, no complaints from neighbors, no zoning or deed restrictions, as we all were just trying to make it. Lots of artists in the neighborhood. When it started getting gentrified the artists started moving out because new people complained and inspectors were around all the time because of all the construction going on.
DeleteI think I just deleted my own comment. Again: Thank you for the links. Your work is wonderful to look at, such detail and what an achievement. I love the interior doors with the grapes (?) and also the memorial wall with the forest. I could go on.
ReplyDeleteYour plumeria are gorgeous.
Your art is just exquisite, ellen. What a body of work you have created for the world to enjoy. I am glad you do art still. Your watercolors have such a delicate hand. I think perhaps because you are a practical person and a perhaps also a humble spirit, you might not recognize your own greatness. But talent such as yours has been honed over lifetimes. I feel honored to be able to witness it in this one with you. I loved hearing your journey. Art is not all romance, is it? It can hard, that creative life. Thank you for sharing it with us.
ReplyDeleteThank you for the compliments. There are so many more people more talented than I and I often wonder if the word artist really applies to me. I'm not driven, my work is not a response to anything going on in our word culturally or politically, I have no message. I'm just clever with my hands. No art is not all romance, it's hard dirty work.
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